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Webcam, Lights, and Audio for Remote Work, Podcasting, Videos, and Streaming

mattstauffer.com

11–20 of 131 posts

Re: Webcam, Lights, and Audio for Remote Work, Podcasting, Videos, and Streaming

#11
post #9
post #5

A little off topic: has anyone managed to have chroma key effect on Mac ? I'm also thinking to have almost same concept youtube channel. But, I also want to have chroma-key background. any ideas ?

I think OBS will do live keying.

I'm also looking for its virtual-camera plugin which is only window :(

Re: Webcam, Lights, and Audio for Remote Work, Podcasting, Videos, and Streaming

#12
I just did a bunch of this over Christmas, and it was a ton of fun to set up.

The way I see it...people work in these offices that cost hundreds of thousands, so I will benefit from looking somewhat professional on my calls from home.

One frustrating note: we use RingCentral/Zoom at work, and they only work with the Elgato CamLink once. After one call with proper video, I have to reset my PRAM.

Re: Webcam, Lights, and Audio for Remote Work, Podcasting, Videos, and Streaming

#13
post #10

You can spend $700+ on his high end audio recommendations but 90% of home office style recording environments (even with acoustic panels) are going to have a noticeable amount of background hiss (computer fans, etc.) get picked up and his set up doesn't account for that. If you goto the OP's Youtube channel and listen to his recordings, for example https://www.youtube.com/watch?v=lh0sTxLs9VA , there is a HUGE amount…

I'm somewhat guilty of it as well, but a lot of people geek out on the gear side and spend money to optimize a fairly small part of the overall audio experience.

Most of what I record for podcasts these days is on location anyway and I know I don't personally have a "radio voice." So I do what I can to get reasonable audio quality but don't sweat the details too much.

Re: Webcam, Lights, and Audio for Remote Work, Podcasting, Videos, and Streaming

#14
post #10

You can spend $700+ on his high end audio recommendations but 90% of home office style recording environments (even with acoustic panels) are going to have a noticeable amount of background hiss (computer fans, etc.) get picked up and his set up doesn't account for that. If you goto the OP's Youtube channel and listen to his recordings, for example https://www.youtube.com/watch?v=lh0sTxLs9VA , there is a HUGE amount…

A noise gate does not remove hiss or static, it simply reduces the volume of the signal when it gets below a certain level.

As a professional audio engineer in a past life, I can say the SM7B + Triton Fethead is a great recommendation. The SM7B has very good off-axis rejection characteristics and will pick up _much_ less room noise than most alternatives.

Re: Webcam, Lights, and Audio for Remote Work, Podcasting, Videos, and Streaming

#15
post #13
post #10

You can spend $700+ on his high end audio recommendations but 90% of home office style recording environments (even with acoustic panels) are going to have a noticeable amount of background hiss (computer fans, etc.) get picked up and his set up doesn't account for that. If you goto the OP's Youtube channel and listen to his recordings, for example https://www.youtube.com/watch?v=lh0sTxLs9VA , there is a HUGE amount…

I'm somewhat guilty of it as well, but a lot of people geek out on the gear side and spend money to optimize a fairly small part of the overall audio experience. Most of what I record for podcasts these days is on location anyway and I know I don't personally have a "radio voice." So I do what I can to get reasonable audio quality but don't sweat the details too much.

> I'm somewhat guilty of it as well, but a lot of people geek out on the gear side and spend money to optimize a fairly small part of the overall audio experience.

There's nothing wrong with buying gear.

It's just, he lists that set up as a "professional" podcast set up but forgot to mention the most important piece of hardware (or software) to get rid of continuous background noise.

If you're going to listen to someone talk for an hour, having a bunch of white noise hiss in the background is very tiring on your ears.

If you read that article without years of prior audio experience you might just blindly click those links and buy the top end set up, and then get upset that you just dropped $700 on a set up that sounds worse than what you could have gotten for $80 (+ free software) or half that in pure hardware but spending your budget on different hardware.

Re: Webcam, Lights, and Audio for Remote Work, Podcasting, Videos, and Streaming

#16
To be honest, investing in a whole studio setup for remote work seems to go against one of the biggest perks of remote work itself: freedom.

Stock is usually good enough. That money is better invested on a pair of comfortable headphones, and also some good on-the-go light headphones with micro to hold remote calls outside of a quiet environment.

Re: Webcam, Lights, and Audio for Remote Work, Podcasting, Videos, and Streaming

#17
Somewhat off topic, but I've thought this would be quite a useful thing to do just for helping my focus while working, kind of like having a permanant rubber duck.

Has anyone ever had experience of "live coding" at a company, and if so, how do you manage things like, not broadcasting a database secret, etc.

Are there any examples of companies letting people record their work? I remember a lot of videos floating around about "a day in the life at X" style things.

Re: Webcam, Lights, and Audio for Remote Work, Podcasting, Videos, and Streaming

#18
post #5

A little off topic: has anyone managed to have chroma key effect on Mac ? I'm also thinking to have almost same concept youtube channel. But, I also want to have chroma-key background. any ideas ?

iMovie, Adobe Premier, Final Cut Pro, and Screenflow (screen casting software) all have chromakey.

The Zoom app, and the Logitech C922, each have live background replacement ("virtual green screen").

For post-production without a physical green screen, you can use a green rectangle as your virtual background in Zoom or with the Logitech, import into iMovie etc., and chromakey there.

Re: Webcam, Lights, and Audio for Remote Work, Podcasting, Videos, and Streaming

#19

It’s disappointing to see the Shure SM7B recommended so widely for use in residential environments. While Shure’s classic offering is popular among 2020 media creators (Joe Rogan, Bret Weinstein, and streamers like Tfue or SypherPK) it is still cruel and unforgiving of poor microphone technique, audio reflection, and background noise. Considering its high noise floor when driven by all but the nicest preamps, other o…

What would you recommend?

Re: Webcam, Lights, and Audio for Remote Work, Podcasting, Videos, and Streaming

#20
post #10

You can spend $700+ on his high end audio recommendations but 90% of home office style recording environments (even with acoustic panels) are going to have a noticeable amount of background hiss (computer fans, etc.) get picked up and his set up doesn't account for that. If you goto the OP's Youtube channel and listen to his recordings, for example https://www.youtube.com/watch?v=lh0sTxLs9VA , there is a HUGE amount…

A noise gate does not remove hiss or static, it simply reduces the volume of the signal when it gets below a certain level. As a professional audio engineer in a past life, I can say the SM7B + Triton Fethead is a great recommendation. The SM7B has very good off-axis rejection characteristics and will pick up _much_ less room noise than most alternatives.

> A noise gate does not remove hiss or static, it simply reduces the volume of the signal when it gets below a certain level.

But the end result is with a configured noise gate the audio coming out will not appear to have as much hiss or room noise.

Check out the Youtube video I linked of his. It's super noticeable. With Sony MDR-V6 headphones, I hear a huge amount of hiss in his audio. To the point where it's distracting and drowns out his voice.

I'm not trying to pick on you or him, but if I go to your most recent Youtube video at https://www.youtube.com/watch?v=7lf6dwipRYg, you can very much hear the same type of hiss within the first few seconds. I can't say for what what it is, but it sounds like your computer fan is spinning at 50% and it very much comes through. At about the 16:22 mark in the video, your fans appear to be spinning at 100% because it's much louder than before you started coding. It sounds like your computer is about to launch into space.

It looks like you have the same mic too.

I'm not saying the mic is bad, it's a really good mic. I just think the OP should have talked more about one of the biggest things that will kill a recording, especially when talking about "professional podcasting" and recommending high end gear.

For comparison, here's something I recorded with the AT2005 + DBX 286s acting as a noise gate: https://www.youtube.com/watch?v=-Xd84hlIjkI

There's no software processing here either and my room is not treated with acoustic panels. In fact, my office is almost a worst case scenario. It's a wide open empty room with hardwood floors, angled ceilings and almost no furniture or rugs. I have super loud computer fans too and I'm right next to a window.

Even at maximum volume (unrealistically loud) there's pretty much no hiss or room noise. At least nothing I can hear with the same Sony MDR-V6 headphones.

I'm sure I could get similar results with the Shure mic too (using the DBX), but I'm happy with the AT2005. If I ever upgrade mics in the future it would be to a shotgun mic so it's out of frame.

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