I taught a similar course at Pilchuck in 2015, which was the first 3D-printing/digital fabrication course taught there, and was also up there taking a flameworking course when Amos was TA'ing for Yoav and Angela. First off, Pilchuck is amazing, and if you're at all interested in glass, you should seriously consider taking a course there. Second, modulo a few tricks for clean burnouts, if you can print it, you can inv…
Do you know what kinds of results are possible with a standard consumer 3D printer? (A PLA printer?) The page says, "Any layer lines in the print end up transferring through to the glass, which makes polishing a lot more difficult," but does "a lot more difficult" mean impossible? (I have an Ender 3 printer, and a microwave, so it looks like I can possibly get started for <$100. But both because of price and turnarou…
Unfortunately, most kiln-casters prefer very high lead glass (40%+), because it flows very well and doesn't devitrify easily. This, however, makes coldworking an environmentally-dicy proposition, as it generates lots of micron-scale lead dust.
A microwave may suffice to fuse small glass jewelry (...kinda, the annealing will be pretty horrid...), but isn't going to cut it for casting. Stuff at the scale presented in the article would require firing times of at least 12 hours, with much better temperature control than a microwave can provide.