But by creating a startup-free zone around themselves, all the labels are doing is hosing themselves, because they won't have startups working to develop whatever would have been the new ways of delivering and using label music. They've created an anti-platform.
The Dream Is Over: Music Labels Have Killed Their Digital Future
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Re: The Dream Is Over: Music Labels Have Killed Their Digital Future
#12Google music. Who cares? Oh right, you guys don't have Spotify. I don't know anyone that has it that bothers with iTunes or actually buying music anymore. Get the free version, and get any music anytime and the occasional ad. Pay a few bucks a month, and you get any music anytime with no ads.
Re: The Dream Is Over: Music Labels Have Killed Their Digital Future
#13Google music. Who cares? Oh right, you guys don't have Spotify. I don't know anyone that has it that bothers with iTunes or actually buying music anymore. Get the free version, and get any music anytime and the occasional ad. Pay a few bucks a month, and you get any music anytime with no ads.
Well, we do have Grooveshark. But it probably won't last. :(
Grooveshark is also paying the music owners royalty from a share of their ad revenue.
Re: The Dream Is Over: Music Labels Have Killed Their Digital Future
#14> Nobody’s going to pay Google $25 a year to store their music in a cloud. I'd pay that to be rid of iTunes.
Me too. iTunes is just horrible. I'd love a non-iTunes way of getting my music onto an iPod.
Re: The Dream Is Over: Music Labels Have Killed Their Digital Future
#15The ecosystem, the market, and working with artists engenders a much more complicated landscape than one might think.
agentultra has some good points there.
Re: The Dream Is Over: Music Labels Have Killed Their Digital Future
#16I came to this conclusion myself about 6 months ago, after Dalton Caldwell spoke at a YC dinner. I realized it was basically hopeless to start startups that touch label music, because even the ones that seem to be succeeding (in the sense of not being sued out of existence) are only allowed to live so the labels can suck investors' money through them. But by creating a startup-free zone around themselves, all the lab…
That's true, but not as true as you might suspect. Pandora is profitable. Yes, they are certainly pumping a large amount of money to the record labels, but they're able to exist without driving their users away with over-advertising.
I wouldn't do a (label) music-based startup today, though. Sad.
Re: The Dream Is Over: Music Labels Have Killed Their Digital Future
#17Earlier quoted context omitted.
Well, we do have Grooveshark. But it probably won't last. :(
If it's lasted this long it will probably keep going for some time yet. They have a pretty clear song takedown policy, so any music being shared on grooveshark is likely being done so with the full consent of the label. Grooveshark is also paying the music owners royalty from a share of their ad revenue.
I'd be curious to see what Sony and Warner choose to do.
Re: The Dream Is Over: Music Labels Have Killed Their Digital Future
#18Google music. Who cares? Oh right, you guys don't have Spotify. I don't know anyone that has it that bothers with iTunes or actually buying music anymore. Get the free version, and get any music anytime and the occasional ad. Pay a few bucks a month, and you get any music anytime with no ads.
Re: The Dream Is Over: Music Labels Have Killed Their Digital Future
#19The point about the labels doing it to themselves is probably only half the story. The other half is the culturally ingrained phenomena of "the dream." Many artists jamming in their basements dream of "signing," and expect a big advance, tours, radio play, and all of that old-world stuff. Many today of course realize that there's the Internet and they can afford to distribute their work for pennies and market to thei…
Re: The Dream Is Over: Music Labels Have Killed Their Digital Future
#20I came to this conclusion myself about 6 months ago, after Dalton Caldwell spoke at a YC dinner. I realized it was basically hopeless to start startups that touch label music, because even the ones that seem to be succeeding (in the sense of not being sued out of existence) are only allowed to live so the labels can suck investors' money through them. But by creating a startup-free zone around themselves, all the lab…
In a nut shell, you need roughly $1M upfront for legal fees to negotiate with the big four record labels (for an interactive service, not a non-interactive service like Pandora).