Amazon/Hachette Business Interruption
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Amazon/Hachette Business Interruption
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Re: Amazon/Hachette Business Interruption
#2That seems like a hard won data point, I'm surprised they threw it out to the public domain. It makes intuitive sense to me though. I buy a lot of ebooks and when they're really cheap I just buy them immediately rather than track them somewhere to go and purchase when I have time to read them later. My kindle has probably a half dozen books to read on it at the moment, and I imagine if they were $20-30 each I wouldn't be that flippant about it.
Re: Amazon/Hachette Business Interruption
#3Shots fired
Re: Amazon/Hachette Business Interruption
#4What do publishers even do with regards to e-book distribution? Are they going the way of the record label company?
Re: Amazon/Hachette Business Interruption
#5We believe 35% should go to the author, 35% to the publisher and 30% to Amazon. What do publishers even do with regards to e-book distribution? Are they going the way of the record label company?
Are they worth 35% of the profit? I don't think so. But probably more than 0%. I personally think it should be 70% author, 20% publisher, 10% Amazon.
Re: Amazon/Hachette Business Interruption
#6We believe 35% should go to the author, 35% to the publisher and 30% to Amazon. What do publishers even do with regards to e-book distribution? Are they going the way of the record label company?
The publishers and record labels are doing the same thing they were before - curation and editing. The book printers & CD burners are out of the mix, but they were never that expensive anyway. There are still fixed costs associated with a book (editor) or an album (studio time), not to mention the marketing costs. Are they worth 35% of the profit? I don't think so. But probably more than 0%. I personally think it sho…
Re: Amazon/Hachette Business Interruption
#7We believe 35% should go to the author, 35% to the publisher and 30% to Amazon. What do publishers even do with regards to e-book distribution? Are they going the way of the record label company?
The publishers and record labels are doing the same thing they were before - curation and editing. The book printers & CD burners are out of the mix, but they were never that expensive anyway. There are still fixed costs associated with a book (editor) or an album (studio time), not to mention the marketing costs. Are they worth 35% of the profit? I don't think so. But probably more than 0%. I personally think it sho…
Re: Amazon/Hachette Business Interruption
#8Despite Amazon's talking points, they are relatively price inelastic. Perhaps, right now, they aren't, since people are still dealing with market novelty, but over the long term, time is a bigger sink than money, when it comes to books.
Re: Amazon/Hachette Business Interruption
#9Books aren't video games. People don't collect them. I don't consider a game I don't finish to be a failure, a waste of my time. I do so a book. Despite Amazon's talking points, they are relatively price inelastic. Perhaps, right now, they aren't, since people are still dealing with market novelty, but over the long term, time is a bigger sink than money, when it comes to books.
I'd be surprised if your data was better than Amazon's.
Re: Amazon/Hachette Business Interruption
#10Books aren't video games. People don't collect them. I don't consider a game I don't finish to be a failure, a waste of my time. I do so a book. Despite Amazon's talking points, they are relatively price inelastic. Perhaps, right now, they aren't, since people are still dealing with market novelty, but over the long term, time is a bigger sink than money, when it comes to books.
If I stop collecting books, can I become a people? Is there like a specific process or licensing body?