Viewing profile — EastLondonCoder

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Some things I’ve used AI for the last year or so: - small club website: https://www.kolibrinkpg.com - ticketing system with Stripe payments and QR scanning at the door - Instagram/…

I think the really dangerous part here is not just “surveillance bad”. It is that AI removes the labour cost that used to limit surveillance. CCTV was already a problem, but someon…

I’m working on something close to that. At the moment it’s just for ableton. The idea is to be able to sync a daw project, binaries will be saved on cloudflare and then use git for…

I think the article make some great points, however this part is not even wrong: "The obvious objection is that code produced at that speed becomes unmanageable, a liability in its…

I think some type of tickets can be done like this but your trusted user assumption does a lot of work here. Now I don't see this getting better than that with the current architec…

Possibly, but probably not in less time and the point was partly learn to use agentic coding and also having it do exactly what I wanted.

I’ve done a event ticket system that’s in production. Stripe integration, resend for mailing and a scan app to scan tickets. It’s for my own club but it’s been working quite well. …

I don’t really find “can the model produce good code?” that interesting anymore. In the right workflow, it plainly can. I’ve gotten code out of LLMs that is not just faster than I’…

Location: Norrköping / Stockholm, Sweden (CET) Remote: Yes (EU/UK preferred); hybrid Stockholm OK Willing to relocate: No Technologies: React, TypeScript, Next.js, UI architecture/…

This was my first literary experience, my mother read it to me when I was three years old. Seeing Janssons rendering of Smaug made me remember it was this version she read for me.

Totally get it, and I think we’re describing the same control loop from different angles. Where I differ slightly is: “100% coverage” can turn into productivity theatre. It’s a met…

I don’t use plan.md docs either, but I recognise the underlying idea: you need a way to keep agent output constrained by reality. My workflow is more like scaffold -> thin vertical…

I think the deluge on projects on show HN points to something real, its possible today to ship projects as a one man shop that looks like something that just a year or so would hav…

I lived in London for 15 years. Southbank and the Barbican were some of my favourite places there. Barbican is particularly interesting since its part of the city of London, and wh…

I think you are right, the secret is that there is no secret. The projects I have been involved with thats been most successful was using these techniques. I also think experience …

This matches my experience, especially "don’t draw the owl" and the harness-engineering idea. The failure mode I kept hitting wasn’t just "it makes mistakes", it was drift: it can …

Haha, almost, we add an extra word and some signifiers. "Vi ses i röken och dimman! " It actually means something specific. We tend to use a smoke machine a lot on our nights, one …

Totally fair. It’s a real monthly music night, not software. The Show HN part is the site + media (so people can see the scale/atmosphere), and the thing we’re trying to share is t…

As the other poster commented Kolibri is hummingbird in Swedish. The name was inspired by 2 things. A feeling of lightness and ease connected with carefree summer nights and also t…

Kul att höra från dig! Det är många olika personer runt Kolibri som känner dig från Berlin som t.ex. Henrik Maneuever så det var extra kul när du besökte oss.

Thanks you so much, Maria & Jonatan

We do agree with this, we both prefer attending small gigs ourselves for that exact reason. Also, all bands has to start somewhere, it takes many small gigs to create an audience a…

You’re very welcome! Next one is Feb 27: Sydney Valette (Paris) + Coppia (Eskilstuna). https://sydneyvalette.bandcamp.com/ https://coppia.bandcamp.com/

Nice, you’d be very welcome. Strong spring lineup. Tonight is Hidden Lines, end of Feb Sydney Valette (Paris), and 20 March Liminal Project (UK) + Yugoslavia (ES) with Inåt Bakåt R…